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4/10
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Space Jam: A New Legacy
(2021)
|
Rolando Gallego
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Some gags , humor, but also a lot, a lot of advertising, end up weakening a proposal that could have benefited from nostalgia for the original and the iconic characters...[Full review in Spanish]
Posted Apr 17, 2026
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8/10
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Rough Night
(2017)
|
Emiliano Basile
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Rough Night is a welcome surprise amidst so much forgettable, crude comedy. Here, excess is the means of transgressing the system, and at the same time, that very transgression is what grants them entry into it. [Full review in Spanish]
Posted Apr 17, 2026
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7/10
|
Risa y la Cabina del Viento
(2026)
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Sofía Rossi Sauer
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Uneven yet profoundly personal, the film solidifies Cabral as a director to watch in the film industry. [Full review in Spanish]
Posted Apr 17, 2026
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9/10
|
Lee Cronin's The Mummy
(2026)
|
Miguel Calabria
|
A film that can be enjoyed both for the precision of its construction and for the visceral reaction it provokes, and which will likely divide opinions depending on each viewer's tolerance for that type of experience. [Full review in Spanish]
Posted Apr 16, 2026
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1/10
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Balls Up
(2026)
|
Juan Pablo Russo
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Balls Up exposes a fundamental problem: it doesn't understand the world it represents or the genre it attempts to uphold. Football is reduced to an excuse, Brazil to a caricature, and comedy to a series of failed attempts. [Full review in Spanish]
Posted Apr 15, 2026
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4/10
|
G.I. Joe: Retaliation
(2013)
|
Juan Pablo Pugliese
|
Beyond a few Bruce Willis gags and Jonathan Pryce's increased screen time compared to the previous film, this sequel follows the same formula as its predecessor. [Full review in Spanish]
Posted Apr 14, 2026
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7/10
|
The Great Arch
(2025)
|
Amparo Cabal
|
...by focusing on the materials, textures, forms, and the way light falls on the surface, the film invites us to consider architecture from an artistic perspective. [Full review in Spanish]
Posted Apr 13, 2026
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5/10
|
Thrash
(2026)
|
Emiliano Basile
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Thrash is ridiculous, but it's not a comedy—at least not intentionally—and this makes it difficult to connect with either the realism of the catastrophe or the absurdity of the premise. [Full review in Spanish]
Posted Apr 13, 2026
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6/10
|
Trouble With the Curve
(2012)
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Emiliano Basile
|
Trouble With the Curve remains a sentimental melodrama, with extensive dialogue scenes and the development of good and bad characters, one of the film's weak points. [Full review in Spanish]
Posted Apr 13, 2026
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4/10
|
Two Pianos
(2025)
|
Amparo Cabal
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Although music permeates the film from the very beginning, it feels like little more than a pretext for presenting a character who fits a stereotypical image of a suffering artist. [Full review in Spanish]
Posted Apr 13, 2026
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8/10
|
La venue de l'avenir
(2025)
|
Denise Pieniazek
|
The filme propose a constant interplay between the dreamlike, the past, and the present, where spaces merge. Although some aspects change over time, souls seem to connect through it, and in a way, history repeats itself. (full review in spanish)
Posted Apr 11, 2026
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6/10
|
La casaca de Dios
(2026)
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Juan Pablo Russo
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...the film does not seek to establish an epic narrative, but rather to question what remains when memory is transformed into an object, and what place those who try to sustain it occupy when everything else begins to disappear. [Full review in Spanish]
Posted Apr 10, 2026
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8/10
|
Case 137
(2025)
|
Amparo Cabal
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...Moll constructs a well-rounded and interesting police drama, with moments of great suspense, and with a political and social relevance that invites viewers to exchange opinions about fiction and reality. [Full review in Spanish]
Posted Apr 09, 2026
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6/10
|
Pride and Prejudice and Zombies
(2016)
|
Rolando Gallego
|
The main virtue of a film like Pride and Prejudice and Zombies lies in the possibility of generating humor from parody within a context that has generally been shown as serious and solemn. [Full review in Spanish]
Posted Apr 09, 2026
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8/10
|
Torrente Presidente
(2026)
|
Emiliano Basile
|
The film relies on some effective plot twists—including cameos from foreign celebrities—and a barrage of well-executed jokes that accurately target the vices and contradictions of contemporary politics. [Full review in Spanish]
Posted Apr 09, 2026
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8/10
|
Sweetheart
(2025)
|
Emiliano Basile
|
[Sweetheart is] one of those stories capable of connecting with the viewer through simplicity and lived experience. [Full review in Spanish]
Posted Apr 08, 2026
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7/10
|
Young Mothers
(2025)
|
Amparo Cabal
|
...this Franco-Belgian co-production maintains the realistic style that has characterized the [Dardenne brothers] throughout their career, allowing them to focus on the humanity of the characters. [Full review in Spanish]
Posted Apr 08, 2026
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7/10
|
The Rise of the Red Hot Chili Peppers: Our Brother, Hillel
(2026)
|
Pachi Laurino
|
Feldman succeeds in eschewing the conventional structure of a musical biography, instead offering an intimate essay on loss and identity. [Full review in Spanish]
Posted Apr 08, 2026
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7/10
|
Good Luck, Have Fun, Don't Die
(2025)
|
Emiliano Basile
|
The ideas are better than their execution, and the story falls somewhere between conceptual provocation and conventional spectacle. [Full review in Spanish]
Posted Apr 08, 2026
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7/10
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The Drama
(2026)
|
Laia Cabuli
|
Zendaya and Robert Pattinson intensely sustain this descent into emotional paranoia in a film that exposes the fragilities of modern love and strips any trace of naiveté from the romantic ideal. [Full review in Spanish]
Posted Apr 07, 2026
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4/10
|
Pretty Lethal
(2026)
|
Emiliano Basile
|
It fails to build either a powerful visual identity or a narrative that dramatically advances its characters. The dancers are reduced to interchangeable figures within a mechanical cycle of chases and murders.[Full review in Spanish]
Posted Apr 07, 2026
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8/10
|
Death of an Actor
(2024)
|
Héctor Alejandro Serrano Ortiz
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Ultimately, Death of an Actor blends comedy with reflection about the construction of identity in the digital age. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
El Pozo
(2012)
|
Juan Pablo Russo
|
Carnevale focuses on the more complex dimensions of the issue, avoiding oversimplification and offering a perspective that seeks to challenge established prejudices surrounding the topic. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
Dr. Seuss' the Lorax
(2012)
|
Ezequiel Obregón
|
The "second villain" isn't all that scary...and the kid doesn't fully convince either, sometimes just closing his eyes like he's remembering his little neighbor. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
Rio
(2011)
|
Juan Pablo Russo
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The film touches on themes related to environmental protection and the illegal wildlife trade, albeit tangentially. However, these aspects serve more as a backdrop than as the central focus of the narrative. [Full review in Spanish]
Posted Apr 07, 2026
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7/10
|
Torrente 5
(2014)
|
Rolando Gallego
|
With a simple premise, one seen before, Segura constructs a dynamic narrative that, through gags and impactful dialogue...delivers a powerful social and economic critique. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
Torrente 4: Lethal Crisis
(2011)
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Emiliano Basile
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Torrente 4: Lethal Crisis fails to deliver two or three truly hilarious sequences like the previous films in the saga, its only redeeming quality being the 3D effect. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
Torrente 3: The Protector
(2005)
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Emiliano Basile
|
While Torrente 3: The Protector doesn't quite live up to the second installment of the saga, Santiago Segura's irreverent style pushes the boundaries of the genre in this third part. [Full review in Spanish]
Posted Apr 07, 2026
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8/10
|
Torrente 2: Mission in Marbella
(2001)
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Emiliano Basile
|
...Torrente 2: Mission in Marbella is better than its predecessor simply because it doesn't try to follow a genre and parody it, but rather to fully exploit its comedic potential. [Full review in Spanish]
Posted Apr 07, 2026
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8/10
|
The World Is Big and Salvation Lurks Around the Corner
(2008)
|
Juan Pablo Russo
|
Within a circuit where Bulgarian cinema circulates only in a limited way, the film presents itself as a gateway to a little-known cinematic tradition. [Full review in Spanish]
Posted Apr 07, 2026
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7/10
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40 Acres
(2024)
|
Emiliano Basile
|
With a budget of just eight million dollars, the film manages to capture attention with an immersive and overwhelming narrative pulse. [Full review in Spanish]
Posted Apr 07, 2026
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9/10
|
It Follows
(2014)
|
Emiliano Basile
|
It Follows is a small gem of the genre that...invokes the deepest terror, without special effects or big budgets, with a great idea and a maximum capitalization of cinematic resources to instill fear scene by scene. [Full review in Spanish]
Posted Apr 07, 2026
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8/10
|
Anita
(2009)
|
Ezequiel Boetti
|
...Anita demonstrates that when you work with the audience in mind, with seriousness and professionalism...and you conceive of a film as an artistic product rather than a commodity, things turn out well. [Full review in Spanish]
Posted Apr 07, 2026
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7/10
|
Problemista
(2023)
|
Juan Pablo Russo
|
On the one hand, it offers an interpretation of migrant precarity and the conditions of integration in the United States; on the other, it chooses to approach this material through comedy, thus overlooking traditional drama. [Full review in Spanish]
Posted Apr 03, 2026
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1/10
|
War of the Worlds
(2025)
|
Emiliano Basile
|
Building the entire narrative around a man staring at a screen—with a supposed tension that never materializes—ultimately makes the experience profoundly tedious. [Full review in Spanish]
Posted Apr 03, 2026
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10/10
|
Gravity
(2013)
|
Benjamín Harguindey
|
The story employs familiar thriller tropes: dwindling oxygen, insufficient fuel, and shrinking time. However, the appeal lies not in the accumulation of obstacles but in the construction of a shared perception with the viewer. [Full review in Spanish]
Posted Apr 03, 2026
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6/10
|
Kilómetro 31
(2006)
|
Juan Pablo Russo
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... Kilómetro 31 confirms its director's intention: to construct an accessible story that resonates with a broad audience, as had already happened in Mexico, and to project that reach into other markets. [Full review in Spanish]
Posted Apr 03, 2026
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10/10
|
Miss Tacuarembó
(2010)
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Juan Pablo Russo
|
...Miss Tacuarembó is a great film that will entertain you, move you, and at the very least, leave you with a smile. It's a story to sing and dance to, to laugh and cry to, a story that will make you feel alive. [Full review in Spanish]
Posted Apr 02, 2026
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5/10
|
The Giant Falls
(2026)
|
Emiliano Basile
|
...The Giant Falls relies so heavily on emotional impact that it ultimately drains the very moments that should feel genuine. [Full review in Spanish]
Posted Apr 02, 2026
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6/10
|
Lapönia
(2026)
|
Santiago Echeverría
|
Serrano relies on the power of the text, but he doesn't always find cinematic resources to renew the viewer's attention when the debate becomes circular.[Full review in Spanish]
Posted Apr 01, 2026
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5/10
|
The Super Mario Galaxy Movie
(2026)
|
Laia Cabuli
|
The problem is that this structure is too rigid and ends up exposing its own mechanisms, revealing that there isn't really a solid story to sustain the film. [Full review in Spanish]
Posted Apr 01, 2026
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8/10
|
A Useful Ghost
(2025)
|
Emiliano Basile
|
Queer film, fantasy film, dark comedy with absurdist humor: all of sums up A Useful Ghost. But above all, it's a film that invites you to break free from conventional narratives and let your imagination run wild. [Full review in Spanish]
Posted Apr 01, 2026
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5/10
|
How to Make a Killing
(2026)
|
Laia Cabuli
|
How to Make a Killing promised a lot from an appealing concept and a potentially interesting message, but it ends up overstating its own ideas to the point of becoming a repeated joke rather than an effective critique of ambition. [Full review in Spanish]
Posted Apr 01, 2026
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4/10
|
The Astronaut
(2025)
|
Emiliano Basile
|
The Astronaut fails to sustain the complexity of its own questions. The feeling it leaves us with is that of a story that could have gone much further had it embraced its ambiguity until the end. [Full review in Spanish]
Posted Mar 30, 2026
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9/10
|
Always Winter
(2025)
|
Santiago Echeverría
|
Beyond the excellent performances of the actors, David Trueba has been able to balance [the film's] elements without neglecting any... [Full review in Spanish]
Posted Mar 30, 2026
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7/10
|
Millennium Actress
(2001)
|
José C. Donayre Guerrero
|
With a structure that blends intimate portraiture, film essay, and historical narrative, the film relies on the expressiveness of its characters and a mise-en-scène that explores the narrative power of images. [Full review in Spanish]
Posted Mar 30, 2026
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6/10
|
53 Sundays
(2026)
|
Juan Pablo Russo
|
Although its theatrical origins condition the cinematic experience and limit visual scope, the film relies on the consistency of its performances and a script that prioritizes verbal exchange as its driving force. [Full review in Spanish]
Posted Mar 30, 2026
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7/10
|
The SpongeBob Movie: Sponge Out of Water
(2015)
|
Emiliano Basile
|
The best thing about this film, directed by Paul Tibbitt and Mike Mitchell, remains its parody of good, wholesome American customs. [Full review in Spanish]
Posted Mar 30, 2026
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7/10
|
76 89 23
(2025)
|
Juan Pablo Russo
|
...76 89 23 recovers the provocative spirit of that “early Argentine cinema without a message” which ended up being profoundly political, and reclaims cinematic debate as an act of cultural citizenship. [Full review in Spanish]
Posted Mar 30, 2026
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8/10
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Revolutionary Road
(2008)
|
Ezequiel Obregón
|
The first half of the film unfolds at a leisurely pace, with an atmosphere reminiscent of Raymond Carver's narratives. [Full review in Spanish]
Posted Mar 27, 2026
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