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Rating Title | Year Author Quote
8/10
Normal (2025) Kirsten Saylor Rather than escalate and risk outstaying its welcome, it settles into a tight 90-minute film where humor, bloodshed, and pastiche collide in ways that feel unhinged in the most entertaining of ways.
Posted Apr 16, 2026  Edit critic review
3/10
The Electric State (2025) Jose Cordova A copy of a copy of a copy that embodies the accusations levied at the robots in the opening of the film: soulless and disposable.
Posted Apr 14, 2026  Edit critic review
8.5/10
The Menu (2022) Yasmin Kleinbart Reiss, Tracy, and Mylod’s aim at the outrageousness of gastronomic art mostly works by giving the audience a glimpse into the (literal) cut-throat industry.
Posted Apr 14, 2026  Edit critic review
1/10
The Mean One (2022) Yasmin Kleinbart You might want to just stick to the 1960s cartoon.
Posted Apr 14, 2026  Edit critic review
7/10
Skinamarink (2022) Yasmin Kleinbart Despite these narrative pitfalls and a minuscule budget, Ball turns the horror genre on its head. With Skinamarink, he concocts a unique—albeit a tad vexing—experience.
Posted Apr 14, 2026  Edit critic review
7/10
Renfield (2023) Yasmin Kleinbart While it sometimes loses track of its big ideas, the film still manages to have fun and not take itself too seriously.
Posted Apr 14, 2026  Edit critic review
7/10
Evil Dead Rise (2023) Yasmin Kleinbart Evil Dead Rise isn’t the best of the series or even the second or third best, but the meshing of new and familiar elements makes for a bloody good time.
Posted Apr 14, 2026  Edit critic review
4/10
Flamin' Hot (2023) Yasmin Kleinbart Flamin’ Hot is the latest to tackle the creation of a universally loved product, but it’s oddly lacking flavor.
Posted Apr 14, 2026  Edit critic review
8/10
Amanda (2022) Yasmin Kleinbart The story itself may be as old as time, but the chemistry between Amanda and Rebecca is electric and keeps the viewer engaged.
Posted Apr 14, 2026  Edit critic review
7/10
Theater Camp (2023) Yasmin Kleinbart Theater Camp may be riddled with Broadway jokes, but that doesn’t mean the non-theater viewer won’t enjoy it. It’s full of heart and will make you question why theater programs are always on the chopping block.
Posted Apr 14, 2026  Edit critic review
8/10
Love Life (2022) Yasmin Kleinbart Thanks to its ensemble and stunning use of camerawork and blocking, Love Life is another excellent addition to a filmography of longing.
Posted Apr 14, 2026  Edit critic review
6/10
Good Grief (2023) Yasmin Kleinbart Good Grief asks the question: How do you continue grieving a loved one after they hurt you? Levy only provides a generic answer for whatever reason, but at least he had the good sense to cast a stellar ensemble to carry this project through.
Posted Apr 14, 2026  Edit critic review
8/10
Drive-Away Dolls (2024) Yasmin Kleinbart Drive-Away Dolls is a silly movie featuring lesbian characters doing silly things, and by god, it felt so refreshing to watch.
Posted Apr 14, 2026  Edit critic review
8/10
Late Night with the Devil (2023) Yasmin Kleinbart The Cairnes siblings have created something scary, gory, and relevant, especially given our current state of media, where folks will do anything for a click or view.
Posted Apr 14, 2026  Edit critic review
4/10
Sting (2024) Yasmin Kleinbart It’s easily forgettable and doesn’t do much with its creature.
Posted Apr 14, 2026  Edit critic review
6/10
I Used to be Funny (2023) Yasmin Kleinbart While I Used to Be Funny didn’t hit all the right notes, its heart was in the right place.
Posted Apr 14, 2026  Edit critic review
7/10
Cuckoo (2024) Yasmin Kleinbart Stevens and Schafer rule, and the scares are pretty solid.
Posted Apr 14, 2026  Edit critic review
8/10
Strange Darling (2023) Yasmin Kleinbart Mollner takes an exhausted plotline and makes it refreshing and eclectic—something he should consider "a checkmate and more."
Posted Apr 14, 2026  Edit critic review
5/10
Nightbitch (2024) Yasmin Kleinbart For most, Nightbitch will be just fine. However, those looking for a deeper take on women’s anger will be disappointed.
Posted Apr 14, 2026  Edit critic review
6/10
Novocaine (2025) Yasmin Kleinbart It’s far from perfect, but Quaid’s infectious personality makes for a fun enough time.
Posted Apr 14, 2026  Edit critic review
8/10
The Apprentice (2024) Pedro Luis Graterol While it’s straightforward and not a particularly innovative message, it’s an important one to remember and what will likely be the lasting legacy of the film.
Posted Apr 14, 2026  Edit critic review
5/10
Emilia Pérez (2024) Pedro Luis Graterol Yet, the saddest part of Emilia Pérez is that it fails to imagine a Mexico that is more than the sum of its struggles.
Posted Apr 14, 2026  Edit critic review
9/10
Flow (2024) Pedro Luis Graterol Through its stunning visuals and authentic portrayal of animals, it delivers a poignant reminder of our role in the ecosystem while showcasing nature’s enduring ability to persevere.
Posted Apr 14, 2026  Edit critic review
9/10
The Brutalist (2024) Pedro Luis Graterol This is a film that reminds viewers of the fragility of the American Dream and reveals the intricate realities of an artist’s life.
Posted Apr 14, 2026  Edit critic review
6/10
Napoleon (2023) Pedro Luis Graterol It’s quite exciting to see that a movie can take risks within this format and poke fun at historical figures to question our relationship with them. Rather than a biopic that more or less just fizzles out on arrival.
Posted Apr 14, 2026  Edit critic review
4/10
Rebel Moon: Part One - A Child of Fire (2023) Pedro Luis Graterol The world of Rebel Moon possesses potential as a darker and grittier reinvention of the space opera genre.
Posted Apr 14, 2026  Edit critic review
6/10
Arcadian (2024) Pedro Luis Graterol Its effective approach to horror, its wonderful performances, and its inventive creature design are wonderful on their own, and make the movie worth watching despite the poorly crafted script lurking in the darkness.
Posted Apr 14, 2026  Edit critic review
7/10
Despicable Me 4 (2024) Pedro Luis Graterol There are no expectations of profound themes in the Despicable Me franchise, just effective slapstick Minion mayhem. Despicable Me 4 manages to achieve this.
Posted Apr 14, 2026  Edit critic review
5.5/10
Ruby Gillman, Teenage Kraken (2023) Pedro Luis Graterol It’s a shame that the plot in Ruby Gillman, Teenage Kraken ultimately sinks to the bottom of the sea.
Posted Apr 14, 2026  Edit critic review
4/10
Bird Box Barcelona (2023) Pedro Luis Graterol Despite its lackluster effects and wobbly structure, Bird Box Barcelona somewhat holds together thanks to effective performances by Casas, Howard, Georgina Campbell, and Diego Calva.
Posted Apr 14, 2026  Edit critic review
6/10
Haunted Mansion (2023) Pedro Luis Graterol The film is haunted by its unfulfilled potential.
Posted Apr 14, 2026  Edit critic review
9/10
El Conde (2023) Pedro Luis Graterol The film transcends the boundaries of Chile’s past, serving as a reflection on how societies worldwide grapple with power, evil, and challenging historical legacies.
Posted Apr 14, 2026  Edit critic review
8/10
Bruiser (2022) Pedro Luis Graterol Anchored in a phenomenal performance by Jalyn Hall, Bruiser is an interesting and stylish exploration of toxic masculinity that proves for an interesting watch.
Posted Apr 14, 2026  Edit critic review
7.5/10
Unicorn Wars (2022) Pedro Luis Graterol Unicorn Wars is a fascinating story about the horrors of war and another beautifully animated film by Vazquez that is worth checking out, if you can stomach all the bear guts.
Posted Apr 14, 2026  Edit critic review
7.5/10
Tetris (2023) Pedro Luis Graterol Tetris walks a fine line balancing the entertaining aspects of a Cold War thriller without the monolithic and reductionist depictions of ideologies.
Posted Apr 14, 2026  Edit critic review
9/10
Bardo, False Chronicle of a Handful of Truths (2022) Pedro Luis Graterol Still, this is arguably Iñárritu’s most personal film to date, and one that is so deeply entrenched in its own heart and soul, inaccessible as it might be to those who pass it by.
Posted Apr 14, 2026  Edit critic review
9.5/10
Guillermo del Toro's Pinocchio (2022) Pedro Luis Graterol A heartwarming version of the story that infuses new life into a classic tale and reaffirms the power of animation in all its forms.
Posted Apr 14, 2026  Edit critic review
6/10
Fly Me to the Moon (2024) Alyshia Kelly Fly Me to the Moon thrives when it embraces its lighthearted charm and the magnetic presence of its leads.
Posted Apr 14, 2026  Edit critic review
7/10
Moana 2 (2024) Alyshia Kelly Moana 2 may not quite capture the same magic as its predecessor, but it’s still a beautiful, entertaining ride that proves there’s plenty of ocean left for Moana to explore.
Posted Apr 14, 2026  Edit critic review
3/10
Y2K (2024) Alyshia Kelly Y2K misses the mark.
Posted Apr 14, 2026  Edit critic review
4/10
The Strangers: Chapter 1 (2024) Alyshia Kelly Fans may find solace in revisiting the spine-tingling thrills of the 2008 classic, a reminder of the chilling potential that this franchise once held.
Posted Apr 14, 2026  Edit critic review
7.5/10
A Million Miles Away (2023) Alyshia Kelly A genuinely inspirational story that audiences will find comfort in.
Posted Apr 14, 2026  Edit critic review
8/10
Are You There God? It's Me, Margaret. (2023) Alyshia Kelly Are You There God? It’s Me, Margaret provides invaluable lessons on womanhood that deserve to be treasured, and insight on the core moments of both religious and secular upbringings that contrary factions seldom get to see.
Posted Apr 14, 2026  Edit critic review
8.5/10
Creed III (2023) Alyshia Kelly Optically imaginative, irreproachably dramatic, and conscientiously moving, Creed III successfully paves its own path to the boxing film hall of fame.
Posted Apr 14, 2026  Edit critic review
7.5/10
Your Place or Mine (2023) Alyshia Kelly Although it’s been more than five years since Reese Witherspoon starred in a rom-com and even longer for Ashton Kutcher, it’s as if neither ever left the genre in this film.
Posted Apr 14, 2026  Edit critic review
4/10
Fight or Flight (2024) Jon Winkler Fight or Flight should be a lot more fun than it is.
Posted Apr 14, 2026  Edit critic review
9/10
Sinners (2025) Jon Winkler Sinners is a near-perfect synthesis of B-movie thrills and layered character drama.
Posted Apr 14, 2026  Edit critic review
4/10
Drop (2025) Jon Winkler Drop can’t rise above its undercooked setup and flimsy execution.
Posted Apr 14, 2026  Edit critic review
3/10
A Working Man (2025) Jon Winkler Sadly, A Working Man can’t skate by on just the nostalgia of old Charles Bronson movies.
Posted Apr 14, 2026  Edit critic review
5/10
Disney's Snow White (2025) Jon Winkler The new Snow White is a sign that this method of taking animated classics and draining them of their wonder has run out of gas.
Posted Apr 14, 2026  Edit critic review
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