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Devesh Sharma

Devesh Sharma's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

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Bhooth Bangla (2026) 3/5 EDIT “Akshay Kumar remains impressively fit and energetic but the casting stretches plausibility. ” – Filmfare Apr 17, 2026 Full Review Toaster (2026) 4/5 EDIT “It is a light-hearted comedy that pokes good-natured fun at people who are stingy with their money without ever hitting below the belt. ” – Filmfare Apr 15, 2026 Full Review Everybody Loves Sohrab Handa (2026) 3.5/5 EDIT “This is less a conventional whodunit and more a slow, deliberate excavation of human nature, of the resentments, insecurities and quiet violences that simmer beneath seemingly civil relationships. ” – Filmfare Apr 13, 2026 Full Review Dacoit: A Love Story (2026) 25% 3/5 EDIT “It sets out to explore the fragile boundary between love and vengeance with emotional sincerity, and for a time, it succeeds. Yet, in its pursuit of narrative complexity and spectacle, it loses sight of the intimacy that once defined it.” – Filmfare Apr 10, 2026 Full Review Project Hail Mary (2026) 94% 3.5/5 EDIT “Project Hail Mary doesn’t just adapt a difficult book, it enhances it, taking its best bits and making it soar. ” – Filmfare Mar 27, 2026 Full Review They Will Kill You (2026) 64% 4/5 EDIT “It’s a low-budget, one-location film that delivers high thrills with a wicked grin, ensuring you’ll leave wanting more.” – Filmfare Mar 27, 2026 Full Review Dhurandhar: The Revenge (2026) 37% 3.5/5 EDIT “Aditya Dhar crafts a film that is detailed, unapologetically loud, and steeped in hyper-nationalism. It’s gory, visceral, and very much in tune with the current mood of the nation. Subtle it is not, but then again, subtlety was never really on the menu.” – Filmfare Mar 19, 2026 Full Review Jab Khuli Kitaab (2024) 3.5/5 EDIT “Adapted from Shukla’s own play of the same name, the film retains an intimate, almost theatrical texture, allowing silences and glances to speak as eloquently as dialogue. Yet it never feels stagey...” – Filmfare Mar 11, 2026 Full Review Subedaar (2026) 67% 3/5 EDIT “The film, truth be told, leans heavily on his presence. Strip away Anil Kapoor and you have a fairly standard action template; keep him, and you have gravitas, nostalgia and sinew holding the enterprise together.” – Filmfare Mar 9, 2026 Full Review Accused (2026) 29% 3.5/5 EDIT “Technically assured and emotionally probing, Accused ultimately asks whether truth is ever enough to restore what suspicion destroys. By the time the credits roll, the film leaves us suspended in uncertainty. ” – Filmfare Feb 28, 2026 Full Review Do Deewane Seher Mein (2026) 3.5/5 EDIT “Sweet, observant and emotionally grounded, this is a romance that embraces the ordinary and in doing so, finds something rather special.” – Filmfare Feb 22, 2026 Full Review Kennedy (2023) 53% 3.5/5 EDIT “Ultimately, the film stands as one of Kashyap’s most atmospherically assured works in recent years, a grim, stylish neo-noir elevated by Rahul Bhat’s deeply unsettling performance and a supporting cast that understands the film’s bruised, cynical pulse. ” – Filmfare Feb 22, 2026 Full Review Assi (2026) 90% 4/5 EDIT “Grounded, serious and unsparing, Assi transforms one woman’s trauma into a collective reckoning. It demands that we examine not only the crime but the culture that incubates it. In doing so, it becomes more than a courtroom drama.” – Filmfare Feb 17, 2026 Full Review Crime 101 (2026) 88% 3.5/5 EDIT “Watch Crime 101 for its performances, for its textured exploration of moral ambiguity, and for the pleasure of seeing seasoned actors allowed to be human.” – Filmfare Feb 13, 2026 Full Review O' Romeo (2026) 46% 3.5/5 EDIT “The actors commit with such conviction that they make even the wildest flourishes feel momentarily plausible. You may roll your eyes at the excess, but you will not be bored. ” – Filmfare Feb 13, 2026 Full Review Tu Yaa Main (2026) 91% 3.5/5 EDIT “It is stylish, tense and powered by two committed leads who refuse to phone it in, even when trapped in a drained pool with a predator.” – Filmfare Feb 12, 2026 Full Review Bhabiji Ghar Par Hain: Fun on the Run (2026) 2.5/5 EDIT “There is no attempt here to reinvent the wheel or court a new sensibility; instead, the film doubles down on the familiar rhythms, catchphrases and comic exaggerations that have made the show a household staple.” – Filmfare Feb 9, 2026 Full Review Scarlet (2025) 73% 4/5 EDIT “[The film] argues that the bravest act is not revenge, but release and in doing so, delivers one of the most visually striking and emotionally resonant animated films in recent memory.” – Filmfare Feb 6, 2026 Full Review Vadh 2 (2026) 80% 3.5/5 EDIT “Anchored by assured direction and thoughtful writing, Vadh 2 is less about solving a murder and more about understanding the quiet compromises people make to survive.” – Filmfare Feb 6, 2026 Full Review Mayasabha (2025) 2.5/5 EDIT “In the end, Mayasabha is serious, auteur-driven cinema, absorbing in parts, visually striking, and intellectually earnest. Yet it lacks the spark, urgency or narrative cohesion that might have elevated it from “interesting” to “essential”.” – Filmfare Feb 3, 2026 Full Review Gandhi Talks (2026) 4/5 EDIT “Silence here is not a gimmick; it is the language. Every glance, hesitation and pause carries weight, demanding that the audience lean in rather than sit back.” – Filmfare Jan 30, 2026 Full Review Mardaani 3 (2026) 50% 3.5/5 EDIT “It is a film that wants to disturb, provoke and entertain, all at once, even if it occasionally mistakes volume for nuance. ” – Filmfare Jan 30, 2026 Full Review Send Help (2026) 93% 4/5 EDIT “It’s a delicious premise, open to multiple interpretations, and Raimi gleefully milks every possibility. Expect mood shifts, tonal zigzags and the kind of gleeful unpredictability that keeps you slightly on edge even when you’re laughing.” – Filmfare Jan 29, 2026 Full Review Shelter (2026) 65% 3.5/5 EDIT “It’s not exactly Dostoevsky, but it knows its lane and cruises in it confidently, occasionally leaning into its own absurdity with a wink.” – Filmfare Jan 28, 2026 Full Review Marty Supreme (2025) 93% 4/5 EDIT “Marty Supreme ultimately succeeds because it embraces contradiction. It is thrilling yet uneasy, funny yet bruising, flamboyant yet deeply human. ” – Filmfare Jan 23, 2026 Full Review
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