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David Ehrlich

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Lorne (2026) 67% B- EDIT “Though “Lorne” is prone to some overly relaxed pacing, the film is held tight enough by the grip that Michaels has maintained over his little fiefdom for more than half a century. ” – IndieWire Apr 17, 2026 Full Review Lee Cronin's The Mummy (2026) 46% C- EDIT “Everything Katie does has to be deniable enough for her parents to roll with it, a story choice that defangs Cronin’s ability to let loose. The jolts are muted, the setpieces are drab, and the gore is all too literally kept under wraps. ” – IndieWire Apr 16, 2026 Full Review Mother Mary (2026) 72% A- EDIT “It’s all rather vague and uncertain, like the contours of a rotting old friendship; the movie’s surfaces are as simple as the lyrics of a pop song, and its depths as rich and boundless as the feelings that same pop song might summon.” – IndieWire Apr 14, 2026 Full Review Outcome (2026) 28% C- EDIT “A film about the freedom of not letting other people determine your self-worth. I can only hope that Jonah Hill doesn’t read the reviews for his latest work. ” – IndieWire Apr 13, 2026 Full Review Faces of Death (2026) 68% B+ EDIT “It’s to the credit of Goldhaber’s film that “Faces of Death” is able to satisfy on a basic, audience-forward level even as its concept has clear priority over the more visceral expectations of its genre.” – IndieWire Apr 6, 2026 Full Review Pizza Movie (2026) 78% C EDIT “While McElhaney and Kocher don’t land enough of their punchlines for me to ever think about reheating their film for another watch, they also never take the easy way out; even the worst jokes here are possessed with a real love of the game.” – IndieWire Mar 31, 2026 Full Review The Drama (2026) 78% B EDIT “Hell is always other people in Borgli’s films, and this one -- if thinner and more rhetorical than his others -- stands out for how sharply it details the freefall down from heaven. ” – IndieWire Mar 31, 2026 Full Review The Musical (2026) 59% C+ EDIT “The bits that hit are well-supported, and the ones that don’t are so elegantly suffused into the movie’s cockeyed atmosphere that they tend not to leave any dead air in their wake. ” – IndieWire Jan 29, 2026 Full Review Filipiñana (2026) 88% B EDIT “More than any other film that comes to mind, Rafael Manuel’s “Filipiñana” taps into something that I’ve always found inherently sinister about golf courses: Sprawling gardens of solipsism that invite players to compete against themselves.” – IndieWire Jan 29, 2026 Full Review In the Blink of an Eye (2026) 16% D EDIT “The only meaningful connection made over the course of the movie is the one between its actors, whose inability to salvage their material does more to braid them together than any of the machinations of Day’s script.” – IndieWire Jan 28, 2026 Full Review The Friend's House Is Here (2026) 100% B+ EDIT “Even that digression is tender, lived-in, and relevant to the relationship between self-preservation and community under authoritarian rule, which this soft but subversive film convincingly brings together as one and the same.” – IndieWire Jan 28, 2026 Full Review One in a Million (2026) 100% B+ EDIT “A raw and absorbing epic about “what comes after” -- one that naturally unfolds with all the joy, anguish, and unresolvable inner conflict of life itself. ” – IndieWire Jan 27, 2026 Full Review Closure (2026) 100% B+ EDIT “An ultra-immersive portrait of grief, acceptance, and the role that hope can play in delaying them both, “Closure” soon eschews any familiar genre tropes in favor of following Daniel as he obsessively charts the shores of the Vistula in search of answers.” – IndieWire Jan 26, 2026 Full Review Frank & Louis (2026) 92% B EDIT “It’s the Ship of Theseus paradox in human form, its discrete parts held together by a quietly stirring drama that finds dignity in decay, and grace in the memory of men who the rest of society would sooner forget.” – IndieWire Jan 26, 2026 Full Review Idiots (2026) 73% C+ EDIT “The Shitheads isn’t funny enough to earn its heightened cruelties, and its cruelties aren’t heightened enough to justify how little sense they make.” – IndieWire Jan 25, 2026 Full Review zi (2026) 68% B EDIT “It’s a testament to Mao, Ha, and especially Richardson, that “Zi” retains even a soft dramatic pull as it searches for the present, though its recursive nature certainly wasn’t conceived with a casual audience in mind.” – IndieWire Jan 25, 2026 Full Review I Want Your Sex (2026) 88% B- EDIT “A Gregg Araki movie will never be boring, and this one is a good time even when it’s tripping over itself to complicate its story and disguise the fact that it’s trying to serve as a teachable moment.” – IndieWire Jan 24, 2026 Full Review The Oldest Person in the World (2026) 76% B- EDIT “The film becomes a far more substantial thing when it begins to approach oblivion from both sides at once -- when it begins to poke at its own theory of relativity. ” – IndieWire Jan 23, 2026 Full Review The History of Concrete (2026) 100% A- EDIT “Much like the episodes of his show, Wilson’s consistently hilarious and sneakily profound The History of Concrete is sustained by an internal tension between order and entropy.” – IndieWire Jan 23, 2026 Full Review Hanging by a Wire (2026) 88% C+ EDIT “Molded on E. Chai Vasarhelyi and Jimmy Chin’s “The Rescue,” but sorely missing that film’s artful suspense and rich characterizations.” – IndieWire Jan 23, 2026 Full Review The Rip (2026) 78% B- EDIT “This movie gets way too high on its own supply by the end, but for the better part of its runtime even the film’s silliest expressions of pathos are grounded by the emotional credibility of the relationship between its two leading men. ” – IndieWire Jan 16, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% B+ EDIT “These movies have always been quick to remind us that people are much scarier than any of the monsters they might be afraid of, and “The Bone Temple” -- the least scary yet most disquieting of the lot -- is happy to flesh that out on both ends.” – IndieWire Jan 13, 2026 Full Review Greenland 2: Migration (2026) 48% C EDIT “To its significant detriment, “Migration” is a far more generic and action-oriented movie than its predecessor, which had the benefit of watching civilization get pulled apart at the seams. ” – IndieWire Jan 8, 2026 Full Review Anaconda (2025) 47% C EDIT “This self-reflexive Hollywood sendup is so slapdash and unsure of itself that it ultimately feels less like a bad in-joke than a case of a snake eating its own tail. ” – IndieWire Dec 23, 2025 Full Review Avatar: Fire and Ash (2025) 66% B- EDIT “[Expectations] didn’t prepare me for the reality of watching one of cinema’s greatest explorers walk in circles for three hours, even if Cameron -- being Cameron -- naturally finds a way to make that journey feel novel and invigorating at times.” – IndieWire Dec 16, 2025 Full Review
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