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Bilge Ebiri

Tomatometer-approved critic

Reviews

Movies TV Shows
Queen at Sea (2026) 92% EDIT “Queen at Sea winds up being a movie about all of life’s mad uncertainties. ” – New York Magazine/Vulture Feb 19, 2026 Full Review At the Sea (2026) 38% EDIT “The whole film is series of fragments, and not particularly good ones.” – New York Magazine/Vulture Feb 19, 2026 Full Review Rose (2026) 100% EDIT “Watching Hüller, already a master of submerged heartbreak in so many previous parts, we might begin to suspect that we’re witnessing her greatest role yet.” – New York Magazine/Vulture Feb 19, 2026 Full Review Rosebush Pruning (2026) 35% EDIT “Rosebush Pruning tries to be about something while pretending not to be about anything at all; it’s somehow both too stupid and too cool for the room. ” – New York Magazine/Vulture Feb 19, 2026 Full Review Mouse (2026) 100% EDIT “For all the inherent sadness of its subject matter, Mouse is never depressing, thanks to the delicacy of O’Sullivan and Thompson’s filmmaking. ” – New York Magazine/Vulture Feb 19, 2026 Full Review Days of Heaven (1978) 93% EDIT “A movie in which the images and the music and the offbeat voice-over combine to create a completely new point of view, like that of an innocent god discovering the world anew.” – New York Magazine/Vulture Feb 3, 2026 Full Review Run Amok (2026) 66% EDIT “If Run Amok doesn’t entirely succeed, it’s mostly because it dares to do too much: Our tantalizing glimpses of what this musical production might have looked like suggest an experimental vibe that the film never quite manages to deliver. ” – New York Magazine/Vulture Feb 3, 2026 Full Review The Musical (2026) 58% EDIT “For all its simple, primary-color narrative, The Musical captures something authentic about the all-consuming, world-destroying power of resentment. ” – New York Magazine/Vulture Feb 2, 2026 Full Review Shame and Money (2026) 100% EDIT “In other words, the film’s relentless authenticity dissolves into the visionary as it proceeds — suggesting that Shaban and Hatixhe have gained something resembling dual consciousness, a class sense of how they look to everyone else around them. ” – New York Magazine/Vulture Feb 2, 2026 Full Review zi (2026) 68% EDIT “It feels as if Kogonada has finally unleashed all his suppressed formalist energy. The movie feels like a release valve, an artiste’s penance. ” – New York Magazine/Vulture Feb 2, 2026 Full Review In the Blink of an Eye (2026) 16% EDIT “It sure feels like a miscalculation for a movie about the survival of humanity to have so little humanity in it.” – New York Magazine/Vulture Jan 30, 2026 Full Review The Weight (2026) 94% EDIT “It’s the kind of atmospheric, exciting period drama we don’t really get much anymore.” – New York Magazine/Vulture Jan 29, 2026 Full Review See You When I See You (2026) 71% EDIT “See You When I See You grapples with serious subjects, and everybody involved surely meant well. That’s just not enough. ” – New York Magazine/Vulture Jan 28, 2026 Full Review Paralyzed by Hope: The Maria Bamford Story (2026) 94% EDIT “Watching Paralyzed by Hope, we start to understand why other comedians, including Apatow himself, would be so fascinated and electrified by Bamford’s work. She lives on the front lines of a war others only occasionally allow themselves to fight.” – New York Magazine/Vulture Jan 27, 2026 Full Review The Oldest Person in the World (2026) 76% EDIT “For a movie so filled with death, The Oldest Person in the World is surprisingly, almost confrontationally life-affirming. That sounds cheap, but Green comes by the sentiment honestly. ” – New York Magazine/Vulture Jan 27, 2026 Full Review Filipiñana (2026) 88% EDIT “Through heightened control of imagery and mood, attention to composition and texture and sound, Manuel turns this simple, languid setting into something far more sinister without ever betraying the beauty of what's onscreen.” – New York Magazine/Vulture Jan 27, 2026 Full Review One in a Million (2026) 100% EDIT “The unique achievement of One in a Million lies in the way it allows us to know this young woman while it preserves the mystery of a human soul. ” – New York Magazine/Vulture Jan 27, 2026 Full Review The Moment (2026) 64% EDIT “The point of a behind-the-scenes rock doc is that we’re getting something that feels like a true portrait of the artist. The Moment thinks it can have the best of both worlds, but it gives us neither.” – New York Magazine/Vulture Jan 27, 2026 Full Review Josephine (2026) 97% EDIT “Josephine might not tell a particularly original story, but it tells it in a way that makes us see the world anew.” – New York Magazine/Vulture Jan 27, 2026 Full Review Union County (2026) 97% EDIT “That it features a great performance from one of today’s most interesting actors[ Will Poulter] makes it that much more memorable.” – New York Magazine/Vulture Jan 27, 2026 Full Review The Gallerist (2026) 54% EDIT “I found myself charmed and fully invested in it. The film’s poppy vibrancy, its mood of absurdist anguish, its sheer velocity won me over. ” – New York Magazine/Vulture Jan 27, 2026 Full Review Knife: The Attempted Murder of Salman Rushdie (2026) 100% EDIT “Knife is a simple documentary on its surface — and, as Gibney noted at the premiere, he came onboard after Griffiths had already shot much of the footage — but that simplicity is one of its virtues. ” – New York Magazine/Vulture Jan 27, 2026 Full Review The Invite (2026) 91% EDIT “The Invite goes to some odd places, but with each new turn in these relationships, the picture loses steam, perhaps because they’ve never come across as real people and these emotional twists don’t feel fully earned.” – New York Magazine/Vulture Jan 26, 2026 Full Review I Want Your Sex (2026) 88% EDIT “The director and his cast are clearly having so much fun, and that fun carries through to the audience. Who ultimately cares if they don’t quite stick the landing?” – New York Magazine/Vulture Jan 24, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% EDIT “The beauty of DaCosta’s film is that these particular ideas are worked in subtly, even though The Bone Temple itself is not what one might call subtle. ” – New York Magazine/Vulture Jan 15, 2026 Full Review
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