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Fernanda Solórzano

Tomatometer-approved critic
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Reviews

Movies TV Shows
Bring Her Back (2025) 89% EDIT “I know it's not necessary to have absolute clarity in a film involving an occultist ritual... but in this film everything is mentioned so quickly that everything ends up being unsatisfying. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review Eddington (2025) 69% EDIT “An almost surreal western. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review Materialists (2025) 77% EDIT “Puts a magnifying glass to uncomfortable realities, like the high and precise standards that make people carry a certain type of price tag on their backs. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review Young Hearts (2024) 92% EDIT “[Luke Goossens] is the best part of the film. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review Small Things Like These (2024) 93% EDIT “What I think makes this such a good film is that its theme is timeless and is not exclusive to one country. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review 28 Years Later (2025) 88% EDIT “Maintains its conductive threads...” – Letras Libres Feb 10, 2026 Full Review Presence (2024) 88% EDIT “One of the few films that articulates the experience of the supernatural as something liberating. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review The Phoenician Scheme (2025) 77% EDIT “Evokes The Royal Tenenbaums... ” – Letras Libres Feb 10, 2026 Full Review Die My Love (2025) 74% EDIT “I think it goes a step ahead to demonstrate the limited and unlimiting ways of reducing everything to a clinical etiquette or of attributing everything to a disbalance of hormones. [Full review in Spanish]” – Letras Libres Feb 10, 2026 Full Review Sorry, Baby (2025) 97% EDIT “Sorry, Baby takes the risk of exploring intermediate storylines... [Full review in Spanish] ” – Letras Libres Feb 10, 2026 Full Review Marty Supreme (2025) 94% EDIT “In Marty Supreme [Timothée Chalamet] does a stupendous job, something that is not easy with such a demanding character...” – Letras Libres Feb 10, 2026 Full Review Hamnet (2025) 86% EDIT “I think that this is a historic note that functions as a type of instructive literature. [Full review in Spanish] ” – Letras Libres Feb 10, 2026 Full Review Tár (2022) 91% EDIT “A film that swims against the current. [Full review in Spanish] ” – Letras Libres Feb 2, 2023 Full Review Triangle of Sadness (2022) 72% EDIT “Östlund's new order... showcasing people appearing sophisticated (and failing). [Full review in Spanish] ” – Letras Libres Jan 3, 2023 Full Review Huesera: The Bone Woman (2022) 97% EDIT “Huesera is the most proactive Mexican film of 2022. [Full review in Spanish] ” – Letras Libres Oct 4, 2022 Full Review Turn Your Body to the Sun (2021) EDIT “Turn Your Body To The Sun proposes not only to honor the memory of soviet prisoners… but also question the nationalist myth of a soldier always ready to die. [Full review in Spanish] ” – Letras Libres Sep 8, 2022 Full Review Nope (2022) 83% EDIT “Nope is a movie about aliens in which fear comes too late, and collective survival is not a priority. That self-absorption is the allegory of the times. [Ful. review in Spanish]” – Letras Libres Sep 1, 2022 Full Review Crimes of the Future (2022) 80% EDIT “The environmental film subgenre often has better intentions than representatives. Crimes of the future is one of the few honorable examples, and an atypical film in a filmography of cold characters. [Full review in Spanish]” – Letras Libres Aug 2, 2022 Full Review The Hole in the Fence (2021) 96% EDIT “The Hole in the Fence manages to build a sinister universe that, on the one hand, is close to us and, on the other, is inserted into a vein of horror mythology. [Full review in Spanish]” – Letras Libres Jun 1, 2022 Full Review Lamb (2021) 86% EDIT “Lamb could be ridiculous... Crucial to preventing this from happening is Rapace's immersion in a character that would seem impossible to perform with conviction and honesty. [Full review in Spanish]” – Letras Libres Dec 2, 2021 Full Review Drive My Car (2021) 97% EDIT “Defying common notions of cinematic dynamism, the most powerful sequence takes place in a back seat, showing just two men talking. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Întregalde (2021) 88% EDIT “Like good Romanian filmmaker, Muntean brings the viewer back to witness the stages of desperation that his characters go through. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Medusa (2021) 84% EDIT “There is a lot of vindictiveness in having the story told through vigorous female characters - for better and for worse, as it happens in reality. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Aloners (2021) 98% EDIT “[Gong Seung-yeon's] brilliant performance, expressionless except for key moments, allows the viewer to glimpse the emotions of a character who has struggled to suppress them. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review The Daughter (2021) 100% EDIT “With his most recent film, Cuenca confirms that he is one of the most consistent and interesting Spanish directors alive. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review
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