Repo! The Genetic Opera

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Jens B @Jens97 Jan 31 This attempt at a rock/metal(?) opera is a complete and utter disaster. Everyone involved is clearly trying hard, and Terrance Zdunich, in particular, seems to think he's created something truly special. And that makes for a highly entertaining 90 minutes, the kind where you think: Surely someone MUST have noticed this...! This futuristic dystopia uses transparent(!) paper – that's the level of idiocy we're talking about with "Repo! The Genetic Opera". See more Tucker C @tinkatuck Jan 31 It's a horror opera with campiness and gore. The plot is meaningful and sadly relevant. The songs are great and the acting fits the story perfectly. You'll either love it or hate it (I personally LOVE it). See more Duncan M @Ftwdesigns Jan 28 This gorefest of a horror opera is just as incredible as it was when it came out in 2008. Ultimately a father/daughter love story, it is filled with incredible acting, amazing songwriting, and a plot line that is much deeper than first watch grasps. Still, and forever will be, in my top 10 films of all time. See more Jack F @MovieFan111 Nov 14 I watch this movie like every year. I love it. I guess some of the songs can be cringy, but it's really a lot of fun. Thank you Tubi. See more TheMovieSearch R @TheMovieSearch Oct 26 Repo! The Genetic Opera is a film that divides audiences right down the middle, but for me, it falls flat on almost every level. While it’s earned a cult following over the years, the movie feels like an overzealous attempt to merge horror, sci-fi, and rock opera into something groundbreaking. Instead, it comes across as an incoherent and self-indulgent mess that mistakes chaos for creativity. From the very beginning, the film feels like it’s trying far too hard to emulate the energy and shock value of The Rocky Horror Picture Show, yet without any of the wit, charm, or balance that made that classic work. Repo takes itself too seriously for something so absurdly stylized, which results in an experience that’s more exhausting than entertaining. The world-building—set in a dystopian future where organ repossession is a brutal business—could have been fascinating, but the execution is muddled, shallow, and visually cluttered. The music, meant to be the backbone of the film, is its biggest downfall. Rather than delivering memorable or emotionally charged songs, the soundtrack is filled with disjointed, tuneless performances that lack rhythm and cohesion. The operatic style could have worked if the melodies were strong or if the lyrics offered real narrative depth, but instead, they feel repetitive and forced. It’s almost as if the filmmakers were so focused on being edgy that they forgot to make the songs enjoyable. Performance-wise, the cast seems lost in the chaos. While actors like Anthony Head and Alexa Vega commit wholeheartedly to their roles, their talents are buried under poor direction, excessive styling, and dialogue that borders on parody. Paris Hilton’s presence, often brought up as a talking point, only adds to the feeling that the movie was designed for shock value rather than storytelling. Every performance feels disconnected, as if each actor was in a different movie entirely. Visually, the film has ambition—there’s no denying that. The set design and costumes are striking at times, giving off a gothic, cyberpunk aesthetic that could have worked with a tighter story. But instead of being immersive, it becomes a distraction. The constant barrage of lighting effects, comic-book transitions, and exaggerated gore overwhelms rather than enhances the narrative. It’s a sensory overload that doesn’t lead to any emotional payoff. In the end, Repo! The Genetic Opera tries to be a cult masterpiece but ends up feeling like a student project with too much ambition and not enough structure. It’s messy, grating, and overlong, offering little to those who crave genuine horror, musical brilliance, or compelling storytelling. While it might have found a niche audience that enjoys its chaotic aesthetic, it’s not a film that sticks with you for the right reasons. Instead of a daring experiment, it feels like a cautionary tale of style overshadowing substance. See more John W Oct 3 It's rarely been so difficult to rate a film. I think it's probably quite good for what it wants to be. If it's something for everyone remains to be seen. See more Read all reviews

Repo! The Genetic Opera

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