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Jack Martin

Tomatometer-approved critic
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Reviews

Movies TV Shows
Lee Cronin's The Mummy (2026) 46% 2.5/5 EDIT “Lee Cronin’s The Mummy goes for broke with a franchise reinvention that is grotesquely gory and stylishly deranged, but a derivative script filled with tonal imbalance and frustrating character decisions keep it stuck in its tomb.” – Film Feeder Apr 18, 2026 Full Review Roommates (2026) 70% 3/5 EDIT “Like her sister Sunny did in You Are So Not Invited to My Bat Mitzvah, [Sadie Sandler] leads Roommates with enough genuine charm and likeability to overcome some shaggy storytelling by screenwriters Jimmy Fowlie and Ceara O’Sullivan.” – Film Feeder Apr 17, 2026 Full Review Balls Up (2026) 28% 0.5/5 EDIT “It’s lowest-common-denominator all the way, and it’s just utterly miserable to even talk about, let alone actually watch.” – Film Feeder Apr 16, 2026 Full Review Glenrothan (2025) 17% 1.5/5 EDIT “Sadly, it all leaves Glenrothan an unfortunate dud, made by people whose goodwill is strong but their storytelling skills less so.” – Film Feeder Apr 14, 2026 Full Review You, Me & Tuscany (2026) 65% 3/5 EDIT “It’s a miracle that it works at all, even if it’s about as generic as we’ve come to expect from this type of movie.” – Film Feeder Apr 13, 2026 Full Review undertone (2025) 73% 3.5/5 EDIT “It’s enough to where the film, even at times when it doesn’t fully take advantage of its unique setup, can send genuine chills down your spine and straight to your eardrum.” – Film Feeder Apr 12, 2026 Full Review Outcome (2026) 28% 1.5/5 EDIT “Largely comes across as a whiny, woe-is-me plea for support amid some very serious accusations that films like this attempt to trivialise in slightly heinous fashion.” – Film Feeder Apr 10, 2026 Full Review The Stranger (2025) 90% 4/5 EDIT “A fascinating psychological thriller... but examined from a more neurodivergent perspective it becomes a possible allegory for the misunderstanding of autistic people’s struggles with overall emotional output.” – Film Feeder Apr 9, 2026 Full Review California Schemin' (2025) 96% 4.5/5 EDIT “It all adds to a confident and assured directorial debut for McAvoy, who handles the transition beautifully and makes you very curious as to where he’ll take his filmmaking career next.” – Film Feeder Apr 8, 2026 Full Review Father Mother Sister Brother (2025) 83% 2.5/5 EDIT “Intriguingly, or perhaps frustratingly, there’s very little to say about any of these stories.” – Film Feeder Apr 7, 2026 Full Review The Drama (2026) 78% 3.5/5 EDIT “The end result is more uncomfortable than it is truly provocative.” – Film Feeder Apr 5, 2026 Full Review The Super Mario Galaxy Movie (2026) 43% 3/5 EDIT “As far from perfect as it may be, Mario lovers will find themselves enjoying the bright and colourful nonsense of a sequel that maintains enough playfulness and fun to make up for its lack of simplicity. Not bad at all for a forty-year-old plumber.” – Film Feeder Apr 1, 2026 Full Review Mike & Nick & Nick & Alice (2026) 76% 2/5 EDIT “A low-energy action movie with time-travel that doesn’t reach beyond its limitations, offering a surprisingly lethargic tone and dull characters that not even a few lively moments can save from fading away.” – Film Feeder Mar 30, 2026 Full Review The Magic Faraway Tree (2026) 96% 3/5 EDIT “It’s sweetly harmless, giving kids an imaginative world to lose themselves in with eccentric characters who are simple yet identifiable, and providing adults with a soothing distraction while they get on with other things in their life. ” – Film Feeder Mar 29, 2026 Full Review Splitsville (2025) 84% 4/5 EDIT “Splitsville is a very funny slapstick-heavy screwball comedy which delivers plenty of laughs from the physical and thematic misery of its central characters, as well as the growing awkwardness of their shared situation.” – Film Feeder Mar 26, 2026 Full Review Pretty Lethal (2026) 57% 3/5 EDIT “Pretty Lethal is a silly but enjoyable ballet-centric action movie that is aware enough of its own preposterousness to focus on delivering fun fight choreography over more necessary plot and character development.” – Film Feeder Mar 25, 2026 Full Review They Will Kill You (2026) 64% 2/5 EDIT “A disappointingly bland exercise in gory excess dominating over all the things that should make us care. But hey, at least the action’s pretty good.” – Film Feeder Mar 24, 2026 Full Review Arco (2025) 93% 3.5/5 EDIT “It’s dystopian without ever calling attention to the dystopia, and that is rather clever on Bienvenu’s part.” – Film Feeder Mar 22, 2026 Full Review Dead Man's Wire (2025) 92% 4/5 EDIT “It’s a strong recreation... that could genuinely be mistaken for an actual film from that decade if modern-day actors, from Skarsgård to an ever-cool Domingo to an unrecognisable Cary Elwes, didn’t keep showing up.” – Film Feeder Mar 21, 2026 Full Review Ready or Not 2: Here I Come (2026) 73% 3/5 EDIT “Much of the surprise and freshness of the original is not as prominent here, settling for more of the same but on a slightly bigger scale that doesn’t always equal more fun.” – Film Feeder Mar 20, 2026 Full Review Project Hail Mary (2026) 94% 5/5 EDIT “[Lord and Miller] have set a new course for themselves with a smart, funny and above all heartfelt film that truly is, to borrow a painfully overused phrase, out of this world.” – Film Feeder Mar 18, 2026 Full Review Scarlet (2025) 73% 2/5 EDIT “A wildly disorienting film that frequently stumbles under the weight of its own ambition, leaving the viewer more frustrated by its ultimate practises rather than genuinely enthralled.” – Film Feeder Mar 15, 2026 Full Review Reminders of Him (2026) 57% 2.5/5 EDIT “It’s mostly just mediocre, or at the very least not one you’d want to have your own reminders of.” – Film Feeder Mar 14, 2026 Full Review One Last Deal (2026) 3.5/5 EDIT “But even with its glaring flaws, the film works primarily because of Danny Dyer – and that’s something I never thought I’d say in a review for one of his films. ” – Film Feeder Mar 14, 2026 Full Review How to Make a Killing (2026) 43% 2.5/5 EDIT “The film isn’t really funny or charming enough to transcend beyond its obvious subtext, which is saying something because the casting of Glen Powell, a naturally playful and charismatic actor, as out semi-reluctant murderer is a stroke of genius.” – Film Feeder Mar 11, 2026 Full Review
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